Louis Vanhaverbeke’s work is rebellious, low-fi, hands on, personal and at the same time politically motivated. On stage he navigates with ease between a plethora of objects, self-built installations and self-composed music. From time to time we also see him pop up in the programme of a circus festival. CircusMagazine spoke with him about craft, objects and […]
Summer is approaching and with it high season for the circus festivals. Circus programmers spend the entire year putting together the menu for their festival. They’re the ones who decide which performances you’ll be served up. A dream-job or a minefield peppered with artists’ egos and disappointed festival-goers? We put it to two prominent members of the species: Martine […]
In 1768 a certain Philip Astley, ex-cavalry officer of the British army, walked out into a meadow on the outskirts of London, took a length of rope and laid out a circle. In that arena he began performing equestrian numbers and shortly thereafter employed a bunch of clowns and acrobats to spice up the event. It was the beginning of circus as we know it, according to history and Wikipedia. One of the editors of CircusMagazine has written an ode to the relativity of written history and our urge to celebrate things.
Circus Arts Research Platform (CARP) is a free resource Web site for academic research and studies related to the circus arts. Published online at www.CircusArtsResearchPlatform.com, the platform stimulates and strengthens collaboration between scholars and professionals interested in circus arts studies across all academic disciplines. It offers to the academic community an international directory of researchers […]
They are just out of school and already with both feet (or rather eight feet) on the ground in the professional world. Josse De Broeck, Petra Steindl, Hendrik Van Maele and Felix Zech graduated as an acro-quartet from the Fontys Academy of Circus and Performance Art in Tilburg (NL), have taken on the name ‘Familiar […]
In the last edition of CircusMagazine, an open letter written by the circus commission to Sven Gatz, the Flemish minister of culture was published. Now, spurred on by that letter, the Flemish circus artists themselves have taken up the pen. The result is a strong, positive and binding manifesto.
Edition 2018-2019 of CircusNext, the European platform for emerging authors in the field of contemporary circus, has entered its final stage: the 6 laureates are selected. From now on they will work on their project with support from CircusNext. And the laureates are: – Collectif Rafale (BE) – Familiar Faces (NL) (picture by Tom Van […]
For the fourth year running, Circuscentrum and Arts Centre Vooruit explore the borders between circus, dance, performance and theatre. During SMELLS LIKE CIRCUS you’ll experience exciting crossover performances spread out over Ghent’s inner city. There will be things to see at Vooruit, but also in De Expeditie, KOPERGIETERY, Minardschouwburg, CAMPO and on location in the […]
A surreal artform in a surreal region A little quote from www.flanders.be: ‘Flanders is the northern federated state of Belgium with Brussels as its capital. It is the gateway to Europe and is located less than 500 km from the major European capitals. It shares its own capital with the EU, NATO and numerous other […]
Through its activities and projects Circuscentrum aims to turn Flanders into a flourishing circus region, with wide cultural support and the best possible development opportunities. Circuscentrum is the official link between the Government of Flanders and the circus sector. Contact Circuscentrum (Flemish Centre for Circus Arts) Dok Noord 4F 001 9000 Ghent – Belgium T […]