The first CARP Seminar (14 January 2020, Ghent) will tackle the sense or non-sense of costumes in Circus Arts, the presence or absence of costume design in contemporary circus. CARP is looking for contributions. What is the importance of costume design in the creation of a circus production? Nothing is more iconic than traditional circus […]
Smells Like Circus is a five-day focus on circus arts, presented in January on different locations in Ghent, and is organized by Circuscentrum and Arts Centre Vooruit. Together we explore the boundaries between circus, dance, performance and theater. Edition 2020 No edition in 2019 because Smells Like Circus becomes biannual instead of annual. So the […]
Louis Vanhaverbeke’s work is rebellious, low-fi, hands on, personal and at the same time politically motivated. On stage he navigates with ease between a plethora of objects, self-built installations and self-composed music. From time to time we also see him pop up in the programme of a circus festival. CircusMagazine spoke with him about craft, objects and […]
Summer is approaching and with it high season for the circus festivals. Circus programmers spend the entire year putting together the menu for their festival. They’re the ones who decide which performances you’ll be served up. A dream-job or a minefield peppered with artists’ egos and disappointed festival-goers? We put it to two prominent members of the species: Martine […]
In 1768 a certain Philip Astley, ex-cavalry officer of the British army, walked out into a meadow on the outskirts of London, took a length of rope and laid out a circle. In that arena he began performing equestrian numbers and shortly thereafter employed a bunch of clowns and acrobats to spice up the event. It was the beginning of circus as we know it, according to history and Wikipedia. One of the editors of CircusMagazine has written an ode to the relativity of written history and our urge to celebrate things.
They are just out of school and already with both feet (or rather eight feet) on the ground in the professional world. Josse De Broeck, Petra Steindl, Hendrik Van Maele and Felix Zech graduated as an acro-quartet from the Fontys Academy of Circus and Performance Art in Tilburg (NL), have taken on the name ‘Familiar […]
In the last edition of CircusMagazine, an open letter written by the circus commission to Sven Gatz, the Flemish minister of culture was published. Now, spurred on by that letter, the Flemish circus artists themselves have taken up the pen. The result is a strong, positive and binding manifesto.
A surreal artform in a surreal region A little quote from www.flanders.be: ‘Flanders is the northern federated state of Belgium with Brussels as its capital. It is the gateway to Europe and is located less than 500 km from the major European capitals. It shares its own capital with the EU, NATO and numerous other […]
Through its activities and projects Circuscentrum aims to turn Flanders into a flourishing circus region, with wide cultural support and the best possible development opportunities. Circuscentrum is the official link between the Government of Flanders and the circus sector. Contact Circuscentrum (Flemish Centre for Circus Arts) Dok Noord 4F 001 9000 Ghent – Belgium T […]
Circuscentrum does a lot. Really. We are a knowledge centre, we offer educational programmes, we support artistic creation, we publish CircusMagazine, we protect and promote the circus heritage, we are internationally active, we organise a festival and a convention, and we represent the circus sector for the Flemish authorities. Here’s a selection of some of […]